A digital speedometer is attached to the dashboard so that the operator can accurately gauge the car's speed.
Surrounded by an electrical current similar to a Tesla coil, the whole car vanishes in a flash of white/blue light seconds later, leaving a pair of fiery tire tracks. As it accelerates, several coils around the body glow blue/white while a burst of light appears in front of it. After entering a target date with the keypad inside the DeLorean, the operator accelerates the car to 88 miles per hour (141.6 km/h), which activates the flux capacitor. The operator is seated inside the DeLorean (except the first time, when the remote control is used), and turns on the time circuits by turning a handle near the gear lever, activating a unit containing multiple fourteen- and seven-segment displays that show the destination (red), present (green), and last departed (yellow) dates and times. And it’s pretty evident that it is one that is, well, timeless.The control of the time machine is the same in all three films. It’s an interesting curiosity to be sure, but all that ultimately matters is how great that the Back to the Future franchise turned out. It’s important for “fans” eager to see this footage and looking to drag him for not delivering the same kind of performance as Michael J.
While Eric Stoltz may not have been the right Marty McFly, he is a terrific actor and director regardless. That’s an incredibly classy answer, not to mention being extremely candid. And we do this out of respect for him and to not denigrate him.” Eric’s done some really good movies, both in front of and behind the camera. We were able to rectify that, but we don’t want Eric Stoltz to go down in history, his biggest claim to fame, like Pete Best and the Beatles, he’s the guy who wasn’t in Back to the Future. We made a mistake and we cast the wrong guy. He sucks.’ Whatever nasty things people would say, we don’t want to do that to him. “The idea of shining a light on that and having everybody snipe at him on the internet, which is what they would do. “Eric’s a working actor a working director,” Gale says. But Gale’s reasoning for keeping the footage out of the public eye is more about respect for Stoltz as a performer, as well as the unfortunate realities of internet culture, than the quality of the performance itself.
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